Interviews
Q&A with Blackwill: “I’d say dark trap can be listened to just like any other genre”
When your music can be described using words typically reserved for the sounds made by supernatural beings of fantasy and horror (i.e. gut-wrenching shrieks, hair-raising wails, guttural roars) then it stands to reason you’ll get more than a few people asking “What the hell is this?” Add a generous

Q&A with water: “I need to get stuff off my chest because if not I’ll go crazy”
If the literary theory of “death of the author” can extend to an artist’s chosen moniker, then one could argue for a new spin on what water’s name means. A fairly new face in the Puerto Rican indie rap scene, water (stylized in all-lowercase) has been making a

Q&A with Andria Rose: “I never want someone to know what they’re gonna get from me, I never wanna be predictable”
Whether you’re familiar with the offshoot genre of dreampop or not, there’s something in Andria Rose’s newest project that scintillates the senses of anyone who gives it a listen. Her third EP in five years, Coming Up Roses is made up of six tracks that are a

Interview with Ana Macho: “I make music for a very nice and beautiful time and space”
Less than a year ago, Puerto Rican alt-pop songstress Ana Macho went into a sitdown interview with an idea: they would perform the whole thing in-character, but not just as “Ana Macho”. Instead, they would add more levels onto their already fierce and fabulous personage. This time, as they recount,

Q&A with Matt Louis: “The conversations I have through my songs, I want to be about human experience”
The long, winding road of contemporary R&B’s rise in popularity might have started in the 1980s but arguably picks up steam in the 1990s during the breakout years of acts like Boyz II Men, Tevin Campbell, TLC, Dru Hill, Brownstone and more. Neo-soul acts like Erykah Badu, D’

Q&A with GRIIEGO: “I don’t think there’s much difference between what I do and traditional pop”
Hyperpop fills every empty space of a song’s running time. There’s no lull or pause that can’t be filled with a beep, vroosh, or pew-pew. In Puerto Rico, where reggaetón and Latine trap reign together over music fan’s attention, some artists have staked out their own
